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The Armstrong Lie – Q&A with Alex Gibney, Betsy Andreu, and Jonathan Vaughters

What was involved in the production of making such a visually and sonically rich film?
At the Tour de France we had a full ten cameras, and we were able to put a camera inside the car, sometimes two, and then at every stop along the way we had three cameras in every car.

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All is Lost – Q&A with J.C. Chandor and Robert Redford

Why did you want to be in this film?
Redford: Because he asked me! In all honesty, I’ve spent many years building an organization to promote independent film, and yet no one has asked me to work in their film.